Friday, May 25, 2012

Landscape design concepts (part-2)


Environmental impact assessment
Most site-planning considerations extend well beyond the property lines and often beyond the horizon. They deal with such regional influences as topography, land use and traffic way patterns activity centers and destinations; these set the broad framework within which each project must find its fit. Each specific site fee has its physical characteristics and givens to which all lines and forms must relate and upon which they will exert a negative or a positive impact. Such off-site and on-site background factors are investigated to the extent deemed necessary and recorded on a set of reference maps for use throughout the planning process.

Once the topographic survey has been obtained, it is often useful to prepare a series of keyed overlays at the same scale. Each overlay may display information on the particular aspect of the site. The title of such overlay sheets might be, for example, “Soils”, “Slopes” (by range of gradients), “Vegetation”, “traffic”, “Hydrology”, “Utilities”, etc. The sheets might simply indicate in a sharper focus the information recorded on the engineering survey. Or each might include, in addition to topographic data, pertinent notations from many other sources.

Eco-environs plan set (background planning – design data)
On projects of larger scope or greater complexity or on those requiring a lengthy planning process, the list of such reference and overlay sheets may be long. The sheets are often bound as a permanent set, constantly updated and backed by files or shelves of supporting correspondence and reports. Such clearly displayed and well-organized background material is useful not only in conceptualizing and checking the studies as they progress but also in giving depth and strength to the plan presentations.


Further, since most extensive development proposals and all federally aided construction projects require the submission of an environmental impact assessment in some form, these sets may be considered a graphic checklist of environmental concerns.


When such environmental considerations are defined and explored early, they become not only a useful test but also a sound basis for the evolving studies and resulting plan solution. The negative impacts of the project can thus be reduced and the attributes significantly increased during the planning process. The many benefits of such a systematic approach cannot be overemphasized.

The feel of the land
Graphic survey information and supporting reference data are essential, but they must be supplemented by at least one and preferably repeated visits to the site. Only by actual site observation can we get the “feel” of the property, sense its relationship to the surrounding areas and become fully aware of the lay of the land. Only in the field can we sense the dynamic lines that are the site’s bounding roads, the insistent line of pedestrian approach, the arc of the sun, the prevailing breeze, the good views, the ugly vies, the sculptural landforms, the springs, the trees, the rock outcrops, the usable areas, those features to be preserved if possible and those to be eliminated – in short, the character of the site. We must climb from hollow to hill, kick at the sod, and dig into the soil. We must look and listen and fully sense those qualities that are peculiar to this specific landscape area.

Whatever we can see along the lines of approach is an extensional aspect of the site. Whatever we can see from the site (or will see in the probable future) is part of the site. Anything that can be heard smelled, or felt from the property is property is part of the property. Any topographical feature, natural or built, that has any effect on the property or its use must be considered as a planning factor.

In our present power-happy and schedule-conscious era, this vitally important aspect of developing a simpatico feeling for the land and of learning to know and understand the land – learning to analyze the total project site – is too often overlooked. And too often our completed work gives tragic evidence of our haste and neglect.

In Japan, historically, this keen awareness of the site has been of great significance in landscape planning. Each structure has seemed a natural outgrowth of its site, preserving, accentuating and extending its best features. Studying in Japan, the author was struck by this consistent quality and once asked an architect how he achieved it in his work.

Identify all proposed uses or actions that would have a significant impact upon the environment.

In the appropriate frame of the matrix place a square for a negative impact and a circle for one that is seen to be beneficial.

Within each square or circle place a number, from 1 to 10, to represent the magnitude and importance (local to regional) of each impact: 10 represents the greatest effect, 1 the least. While the arithmetic sum is not to be considered an absolute identification of the project’s worth, it is a telling decision factor.

In text to accompany the completed chart discuss any unusual, potent, hazardous or lasting impacts inherent in the project.

In separate sections describe those means by which in the project planning and design the negative consequences have been mitigated and the benefits increased.     

Thursday, May 24, 2012

Landscape design concepts (part-1)


Specification for topographic survey Property

Lawson farm and portion of Beeler Mill property.

General
Surveyor shall do all work necessary to determine accurately the physical conditions existing on the site. Surveyor shall prepare a map of the given a given area in ink on plastic drafting film at scale of 1 inch to feet. Four black-line prints of the survey map shall be furnished.

Datum
Elevations shall be referenced to any convenient and permanent bench mark with an assumed elevation of 100.0 feet.

Information required
  1. Title of survey, property location, scale, north point, certification and date.

  1. Tract boundary lines, courses and distances. Error of traverse closure shall not exceed 1:10,000. Calculate and show acreage.

  1. Building setback lines, easements and right-of-way.

  1. Names of on-site and abutting parse owners.

  1. Names and locations of existing streets on or abutting the tract. Show right-of-way, type and width of surfacing and center-line of gutters.

  1. Position of buildings and other structures, including foundations, piers, bridges, culverts, wells and cisterns.

  1. Location of all site construction, including wells, fences, roads, drives, curbs, gutter, steps, walks, trails, paved areas, etc. indicating types of materials or surfacing.

  1. Locations, types, sizes and direction of flow of existing storm and sanitary sewers on or contiguous to the tract, giving top and invert elevations of manholes and inlet and invert elevations of other drainage structures; location, ownership, type and size of water and gas mains, manholes, valve boxes, meter boxes, hydrants and other appurtenances, locations of utility poles and telephone lines and fire-alarm boxes. For utilities not traversing the site indicate by key plan if necessary, the nearest off-site leads, giving all pertinent information on types, sizes, inverts and ownership.

  1. Location of water bodies, streams, springs, swamps or boggy areas and drainage ditches or s wales.

   10. Outline of wooded areas. Within areas so noted, show all trees that 
         have a trunk diameter of 4 inches or greater at waist height, giving
         approximate trunk diameters and common names of the trees.
 
   11. Road elevations. Elevations shall be taken at 50 foot intervals along
         center-lines of roads, flow line of gutter on property side and tops and
         bottoms of curbs. The pertinent grades of abutting street and road
         intersections shall also be shown.
  
   12. Ground surface elevations shall be taken and shown on a 50 foot 
         grid system as well as at the top and bottom of all considerable
         breaks in grade, whether vertical as in walls or sloping as in banks.
         Show all floor elevations for buildings. Spot elevations shall also be
         indicated at the finished grade of building corners, building entrance
         platforms and all walk intersections. In additions to the elevations
         required, the map shall show contours at 2-foot vertical intervals.
         All elevations shall be to the nearest tenth of a foot. Permissible
         tolerance shall be 0.1 foot for spot elevations and one-half of the
         contour interval for contours.

The conceptual plan
A seed of use - a cell of function - wisely applied to a respective site will be allowed to develop organically, in harmonious adaptation to the natural and the planned environment.

We have by now developed a comprehensive program defining the proposed nature of our project. We have become fully aware of all features of the total environs. Up to this point, the planning effort has been one of research and analysis. It has been painstaking and perhaps tedious, but this phase is of vital importance because it is the only means by which we can achieve full command of the data on which our design will be based. From this point on, the planning process becomes one of integration of proposed uses, structures and site.

Plan concepts
If structure and landscape development are contemplated, it is impossible to conceive one without the other for it is the relationship of structure to site and site to structure that gives meaning to each and to both.

This point perhaps raises the question of who on the planning team – architect, landscape architect, engineer or other – is to do the “conceiving”. Strangely, this problem, which might seemingly lead to warm debate, seldom arises for an effective collaboration brings together experts in various fields of knowledge who, in a free interchange of ideas, develop a climate of perspective awareness and know-how. In such a climate, plan concepts usually evolve more or less spontaneously. Since the collaboration is arranged and administered by one of the principals (who presumably holds the commission), it is usually this team leader who coordinates the planning in all its aspects and gives it expressive unity. It is the work of the collaborators to advance their assigned planning tasks and to aid in the articulation of the main design idea in all ways possible.